STUDIO CONFIDENTIAL

Carl Becker and I first met in 2010 when a friend introduced us and informed us we were working on the same project. We had both been on separate missions tracing the steps of JH Pierneef when he painted the infamous Johannesburg Station Panels.
 
A year or so later Carl kindly invited me to collaborate on a show with him at the University of Stellenbosch Gallery in 2012. That show then toured all over the country ending up at Durban Art Gallery and Oliewenhuis Art Museum. The catalogue we published featured a story by Ivan Vladaslavic.
 It is with huge gratitude to my patrons for making this work possible!  
 
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Jane Appleby a Cape Town-based artist shares her process of, how after a 20-year break in artmaking, she took the leap and plunge into producing full-time.
She currently supports herself with the sales of her artworks. She so generously shared how she shifts her value system and gears herself every day before she heads to her studio. 
 It is with huge gratitude to my patrons for making this work possible!  
 
Please help me to keep these podcasts uninterrupted and AD-free by making a monthly donation on Patreon.

Kate Arthur shares candidly about a relationship between herself and a tree outside her studio window as we discuss the value of slowing down and of play, in studio practice.  Kate is an artist based in the Natal Midlands in South Africa.
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Lauren Theunissen spoke about the inner critic and where she is at in her career. Lauren is a Michaelis graduate, Tierney Fellow for photography, artist, and educator who is currently establishing her career from a business perspective.
Massive thanks to my Patrons on Patreon for making this work possible and AD FREE. If you loved one and want to pay it forward for the next episode click here.

Inge Prins spoke about being activated and what it takes to follow a project through. She shares how she maintains focus and energy in her busy career. Thank you for listening! I have a PATREON page. If you loved an episode and would like to support a future one please consider donating $3. Your support helps!
 

Brent Meistre and I spoke about the motivation for making work not being in fame or fortune but in the process of making. You can view his works and projects here.
Massive thanks to my Patrons on Patreon for making this work possible and AD FREE. If you loved one and want to pay it forward for the next episode click here.

Oscar O'Ryan and Louise Coetzer are Darkroom Contemporary. We chatted about disruptive practice and their collaboration that produces screen dance. We also explored what it takes to keep a company and one's practice on the edge. 
Massive thanks to my Patrons on Patreon for making this work possible and AD FREE. If you loved one and want to pay it forward for the next episode click here.

Photographic artist, academic, and my good friend Juan chatted about making work as a nomad and the ideas around originality for this episode of STUDIO CONFIDENTIAL.
Massive thanks to my Patrons on Patreon for making this work possible and AD FREE. If you loved one and want to pay it forward for the next episode click here.

Sarah Blood is a sculptor working in neon, a lecturer at Alfred University, and has a prolific art-making career. We spoke about what drives her and how she sustains her practice and her life with her catchphrase: ALWAYS BE BOTHERED.
Massive thanks to my Patrons on Patreon for making this work possible and AD FREE. If you loved one and want to pay it forward for the next episode click here. Or on PayPal on my website at www.moniquepelser.com.

In part 2 of our conversation Richard Pepperman and I speak about how to stop being guarded as an artist and storyteller and, despite how frightening the process of making is, real courage is to go ahead anyway and start the project. 
You can find Richard's books here for further reading. https://mwp.com/product-author/richard-d-pepperman/
Massive thanks to my Patrons on Patreon for making this work possible and AD FREE. If you loved one and want to pay it forward for the next episode click here.